Dressed to Kill 
Kate is a beautiful woman frustrated by the 'indifference of her husband, who trusts his sexual anxieties Dr. Elliot. In an art gallery, meets a stranger and thanks to a lost glove, and a chase the paintings come to a fleeting and impetuous adventure with him. Is shocked, however, discovering that he has a venereal disease. Run away from the apartment, but in the elevator of the building with water-resistant glasses and a blonde blacks kill the razor. It 's almost a witness to the fact Liz, a young prostitute who becomes a suspect in the eyes of the police and papabile next victim. It alleerà with clumsy, but genialoide son of Kate looking among patients of the doctor, thinking the culprit is a mysterious trans, will arrive at the shocking truth that the psychiatrist is the killer with a double identity. In the end there is threatened by Liz Elliot escape from the asylum, but it's just a dream, reality and imagination are confused and still remain within certain experiences, in un perenne scherzo beffardo . Thriller ad alto voltaggio, teso , dalla trama pulp , che non è che la scusa per De Palma per iattuare uno dei suoi meccanismi filmici sorprendenti in fatto di messa in scena registica, omaggiando il cinema come suo uso e il maestro da lui preferito: il vecchio zio Hicth. Ovvero come iniziare il film con una attrice di fama – e bionda - e poi nella prima mezzora farla fuori brutalmente, e come il tema del doppio, della pulsione sessuale ( più esplicita qui, ma dall'erotismo seducente per uno spettatore ancora una volta inguaribile voyeur ) e come l'uso della psicanalisi. Tutto diventa circolo vizioso di sogno dentro una realtà dentro un' altro sogno, perdendosi nei labirinti della mente. Geniale l'uso registico , Virtuoso technique and ideas such as combining the images at the same time two time points: the present with the thought of the past already. The wonderful game of looks between Kate to her husband distracted, with a child, the stranger from a painting by the dying girl's eyes to the duplicity of Elliot for a mirror that reflects it, the emblem of his double. But especially the scene in the gallery of art, silent throughout the game in the music of Donaggio, fleeting glances, a glove forgotten, in sequence of rooms to get lost, including intellectual-artistic images as a carnal desire is estimated ancestral a hunting refined, in fields long and plans sequence in which the prey becomes beautiful huntress confused and in need of those ambivalent feelings of fear, desire, rejection, longing. No matter where the lead, so life is a game mocking.
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